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A behind-the-scenes look at the crucial last four races of the 1981 Can-Am season.

Mía is applying for a job as a photographer in Vic's studio, but she manages to show up when the hip, famous pro is having a really bad day: his model girlfriend Ana has just dumped him. He decides to leave Barcelona for 1,000 days and suggests that Mía take his place. This 1,000-day stint sets in motion all kinds of mini-stories, tales of love and romantic misadventure, creating concentric circles which fleetingly fill Vic's studio with the colorful characters who turn up for various photo shoots, modeling work and castings. The models let themselves be hauled through an artificially-created world, putting work before love, yet also seeking affection in an unreal world.

"I began this project with no concept other than to see what might come of shooting some film over the course of a year. I ended up with a sort of travelogue consisting of ten sections edited in the order in which they were shot, beginning in spring and ending in winter. Some of the footage documents my travels over that time period, some documents travelers visiting places I called home at the time of filming. Additionally, some of the footage is made with actors playing travelers for the camera. Towards the end of the edit I decided to throw in some older footage I had in order to round out the picture. Originally a silent film, I have added a soundtrack mix by Sean Byrne of Bugskull." -SD

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Based on book written by one of the creators of the minutemen that patrol the Calif, Texas, Arizona, New Mexico border with Mexico. It is a docudrama reenactment about actual events that took place while guarding the border from illegal aliens, drug smugglers, human traffickers, and terrorists sneaking across the border. Realizing that the us border patrol agents are spread to thin and need help, it became political as one of the leaders of the minutemen decided to run for office as citizens land owners and minutemen supported him. This explores the dangers these citizens risked every day they left their homes to help protect the border. True to life events reenacted as written in the book, see the dangers they experienced as border bandits, smugglers,drug cartels and Mexican police, some corrupt and some not battle one another and the minutemen.

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An account of El Salvador's death squads, told by a former director of its intelligence agency, Colonel Roberto Santivanez.

Newly arrived in town Nat and Gabe accept a dinner invitation from the volatile Hungarian Helene and her boorish husband Sasha. Whilst the other guests, ex-Bananarama member Marty, Angie, who 'makes bullets' and the supposedly suicidal Danny are affable enough, Nat and Gabe are shocked by their hosts' very public rows and Gabe's attempt at peace-making is awkwardly received. Nat is taken aback when virtual stranger Helene confides in her about Sasha's suspected infidelity and Gabe is rudely rebuffed when he tries to have a heart to heart with Sasha. After Helene physically attacks her husband the newcomers are desperate to leave but when Danny drops a bombshell Gabe is torn between responsibility and the easy way out.